Four pavilions. One technical director.

Brazil. Poland. Chile. Angola.

I was Technical Director for Bendo Tech. Ten months. Audio, video, lighting and show control.

16 minutes in Brazil.

A 64-channel sound system. Intelligent lighting. Dynamic curtains. Inflatable motors. One timeline held them together.

I wrote the master show control programming myself. Visual Productions hardware drove the lighting and mechanics.

Three more pavilions.

Poland, Chile and Angola. Exhibits, presentations, ambience and projection. Each system was built around its own creative brief.

One video system, four sites.

Dataton Watchout in every pavilion. I installed, configured and programmed the servers.

Training got shorter. Maintenance got simpler. All four sites shared one pool of spare parts.

A network for each pavilion.

Dedicated. High-bandwidth. Low-latency. Built to stay stable in a high-interference site.

Drawn, built, handed over.

I created and checked CAD drawings, system schematics and 3D renders. I led the teams through installation, configuration and calibration on all four sites. Then I trained the operators.

Who I worked with.

Pavilion commissioners. Creative directors. Local crews.

Four pavilions. Delivered on schedule.

Tools: Dataton Watchout, Visual Productions, Dante, Vectorworks.

EXPO 2025, Osaka, Kansai, Japan

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